A thought-provoking exhibition at West Preston Baptist Church (WPBC) titled, Stations of the Cross, immersed visitors in a reflective visual journey through Christ’s death and resurrection with support from a BUV and Baptcare community grant.
Around 160 people visited over four days leading up to Good Friday to view the artworks created by WPBC members.

The works were spread throughout a labyrinth that was set up over temporary flooring in the church, which encouraged attendees to take their time as they reflected on the meaning behind the pieces, from intricate drawings and live displays to collages and sculptures.

A booklet contextualised each artwork with a Bible passage, artist’s statement and prayer. While the exhibition space was quiet and contemplative, people were invited to stay for a chat over a hot cross bun and a hot drink afterwards. A children’s table with Easter craft activities was also provided.

Many visitors said that the exhibition provided a meaningful and creative way to connect with the Easter story. One said the “incredibly beautiful” artworks had left her “in awe of God’s goodness”; while another person said, “The combination of labyrinth, art, verses, reflections and prayers, is very powerful”.

Co-curator Vicki Leo, said the church had put on similar exhibitions before 2016. “There were a lot of people in our congregation who hadn’t experienced it before, and we have a few more artistic people in our congregation, so we thought we’d try organising it again. We were encouraged as people came in and walked around at their own pace, that they were reflecting on the crucifixion story and enjoying the creativity, thought and effort the artists had put into it.”

The exhibition was curated by Vicki, Kerry Edwards and Faye Butler, and it was also an opportunity for many WPBC members to get involved by serving food and drinks, helping with setup and pack up, and welcoming visitors. The curators advertised with posters and flyers, street sign, social media and on 89.9 TheLight FM radio’s community noticeboard.

Vicki said the church will consider running the event every two years and they had picked up several ideas for improvements for better inclusion, such as providing the booklet in large-print, audio or QR codes; making wider walkways for those who use movement aids; and improving lighting in the foyer to help with reading.

“Running it every two years leaves room for the church to host other types of Easter celebrations as well. It’s important that we don’t try to run too many things or too regularly to allow a rhythm that’s sustainable for the congregation and the artists who are involved. We had a really positive response from the community, and this has given a lot of satisfaction for myself and the other curators!”